Alex Kovacs began his musical training at age 5, taking piano lessons and studying classical harmony and composition. Two years later, having developed a passion for jazz, he also began studying saxophone and clarinet.
Alex entered Berklee College of Music with a scholarship and began his studies in Film Scoring. While at Berklee he honed his composition and performance skills, scoring two independent films, performing on numerous albums and for the independent feature Haunt, and at many notable venues on the East and West coasts. Along with two other classmates and with the help of faculty, Alex laid the groundwork for a multimedia-composing curriculum (primarily for video games), which has since come to fruition. In addition, he was awarded a second merit scholarship and he received a film-scoring award for excellence.
Upon graduating from Berklee College of Music, Alex began working on CSI: Crime Scene Investigation with composer John M. Keane (Amazing Race, CSI: Crime Scene Investigation). After working on CSI for three seasons, Alex became the studio manager for film composer, Deborah Lurie (Nine, Dear John, Footloose). He currently writes for Sonic Legends, contributes to S3 and Radical music and trailer libraries, and scored for a variety of media, including a recent short for Sony Pictures. Alex currently is the studio manager for esteemed composer, orchestrator, and arranger--William Ross.